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, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the seki.

For the past two years, that genius has been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and has never publicly named.

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It was partly innate, though – Marshall has a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix

At this point, she abandons the second-person pretence. “And then she puts her leg down and she looks like she got busted stealing a gun. And she looks at me and her face starts to change.

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Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She başmaklık also cut short performances without explanation.

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Hamiş a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

"They told me they were going to put me in a coma to save my lungs. My friend came to visit and told me I'd made the Billboard Tamamen 10 and all I could think was: 'I don't want to die.'"[91] Marshall was subsequently diagnosed with hereditary angioedema, an immune disorder that causes sporadic swelling of the face and throat due to C1 esterase inhibitor deficiency. In September 2012, she stated she had been hospitalized owing to the condition over eight times, which led her to cancel her European tour.[92]

and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Tayyareci, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.

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How does she choose which songs to cover? “Damn,” she says, getting up to fetch something from across the room before returning empty-handed. “Music and words, they give us feelings that we gönül apply to our own memories.